LONGITUDES

Longitudes cuts across Latitudes’ projects and research with news, updates, and reportage.

Latitudes en la primera edición de PEEP, un programa de Hangar

Gráfica del evento. Cortesía Hangar.

Nos alegra compartir que hemos sido invitados por Hangar, el centro de producción e investigación artística en Barcelona, a participar en la primera edición de PEEP que se celebrará el 12 y 13 de marzo de 2026. El evento combinará presentaciones, conversaciones y sesiones de feedback, y ha sido planteado como “un espacio de encuentro, diálogo y experimentación entre lxs artistas residentes de Hangar, profesionales invitadxs del ámbito local, nacional e internacional y el público general” con el objetivo de “explorar y profundizar en los procesos creativos de lxs artistas, compartir metodologías y generar nuevas conexiones profesionales”. 

Las jornadas culminarán con una programación pública que incluirá charlas, proyecciones, visitas a los estudios y una performance colectiva.

Para esta edición 2026, Hangar reunirá a Devrim Bayar (senior curator, KANAL-Centre Pompidou), Barbara Horvath (curadora, PART International Art Residency), Caroline Dumalin (directora artística, Morpho, y curadora del Pabellón de Bélgica en la Bienal de Venecia 2026), Jesús Alcaide (Córdoba), Ane Rodríguez Armendariz (responsable de Arte por venir, programa de la Fundación Carasso), Ismaël Chappaz (galería House of Chappaz), Mariana Cánepa (Latitudes), Max Andrews (Latitudes), Bárbara Rodríguez Muñoz (directora de exposiciones y de la colección, Centro Botín), María Montero Sierra (Madrid/Londres), Olivier Collet (galería Prats Nogueras Blanchard) y Rosa Lleó (curadora independiente, Barcelona).

Asimismo, participan lxs artistas y proyectos residentes: Ali Arévalo, Oriol Arnedo Casas, Kate Bohunnis, Ari Cardozo, Mourae, Eduard Ruiz, Laura Sub1, Silvia Zayas, Huaqian Zhang, Victor Pérez-Pallarès Setó, Aura Roig, Sara Miravet Núñez, Grandeza Studio, Efe Ce Ele, Lara Campos, Lumbung Press, #Blendícete y Hamaca.


jueves, 12 de marzo de 2026

9:30–18:30 h Visitas de estudio

19:30 – 20:30 h | Hamaca, un archivo a contrapelo: proyecciones de Jaione Camborda, Raquel Friera y Cecilia Barriga

El archivo se sostiene sobre unos puntales que llamamos taxonomías; al mismo tiempo, por dentro lo recorre una malla invisible que, a contrapelo, es capaz de reconectar todo. Desde la inmensidad del fondo audiovisual de Hamaca, este programa hilvana tres piezas que abren mundos marcados por la austera relación entre cuerpos. La intensidad física y simbólica de un ritual ancestral en Rapa das Bestas (Jaione Camborda, 2017), filmado de cerca con la sensibilidad que favorece la película; la vulneración de derechos y el vacío legal de los CIE que denuncia 1.432.327 m² (Raquel Friera, 2012), cuestionando, al mismo tiempo, el papel de la artista mediadora; y, por último, el torrente de afectos que retrata Im Fluss (Cecilia Barriga, 2007), acompañando con una handycam a dos mujeres que piensan la pérdida mientras celebran una vida compartida.

viernes, 13 de marzo de 2026

10:30 – 13 h Visitas de estudio

17 – 19 h | Talleres Abiertos

Ali Arévalo / Oriol Arnedo Casas / Kate Bohunnis / Ari Cardozo/ Mourae / Eduard Ruiz / Laura Sub1 / Silvia Zayas / Huaqian Zhang / Víctor Pérez-Pallarès Setó / Aura Roig / Sara Miravet Núñez / Grandeza Studio / Efe Ce Ele / Lara Campos / Lumbung Press/ #Blendícete / Hamaca

19 – 20 h | How Do You Do?

Conversación con Caroline Dumalin, Devrim Bayar y Barbara Horvath

La charla “How Do You Do?” explora, a partir de su doble sentido —“¿cómo estás?” y “¿cómo lo haces?”— las prácticas y valores institucionales que no siempre son explícitos ni debatidos públicamente, así como las dinámicas que sostienen las programaciones, las relaciones entre contexto local y global y los procesos colectivos que definen las identidades institucionales.

20:30 – 22 h | Sentía voces dentro de mi cabeza, sí, nos susurraban

Performance con Ali Arévalo, Ari Cardozo, Aura Roig, Kate Bohunnis, Eduard Ruiz, emocee, Lara Campos, Laura Sub1, Mourae, Oriol Arnedo Casas, Victor Pérez-Pallarès Setó

Lxs artistas residentes de Hangar proponen una performance colectiva que activa un espacio de escucha e imaginación compartida. A través de reflexiones, relatos fragmentarios y derivas mentales, las voces individuales se entretejen hasta configurar un cuerpo colectivo que susurra, piensa y resuena dentro y fuera de la cabeza.

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Cover Story, January 2026: Waves Lost at Sea

January 2026 cover story on www.lttds.org



NEW
NEW MONTH
NEW MONTHLY COVER
NEW MONTHLY COVER STORY

The January 2026 monthly Cover Story, “Waves Lost at Sea”, is up on our homepage: www.lttds.org 

In 2003, one of Europe’s most renowned surfing waves disappeared from the Basque coast near the town of Mundaka, Spain. The culprit? → Continue reading (after January, this story will be archived here).

Cover Stories are published monthly on Latitudes’ homepage, showcasing past, present, or upcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial work and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, December 2025: Mentorship and Movement, 30 Nov 2025
  • Cover Story, November 2025: Lido Lagoon, 3 Nov 2025
  • Cover Story, October 2025: Stockholm, September, Sessions, Studios, Samuelson, 1 Oct 2025
  • Cover Story, September 2025: Krasiński at 130 centimetres, 1 Sep 2025
  • Cover Story, July-August 2025: Hello Everyone: A Catalogue of Voices, 1 Jul 2025
  • Cover Story, June 2025: Hello Everyone Re-Mix, 2 Jun 2025
  • Cover Story, May 2025: Ria, Ría: sweet, brackish, or salty Satorre, 2 May 2025
  • Cover Story, April 2025: Wrecking the Floor Tiles, 1 April 2025
  • Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”, 3 Mar 2025
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025

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July-August 2025: Hello Everyone: A Catalogue of Voices

July-August 2025 cover story on www.lttds.org. Frame video: Latitudes. 


NEW
NEW MONTH
NEW MONTHLY COVER
NEW MONTHLY COVER STORY

The July-August 2025 monthly Cover Story “Hello Everyone: A Catalogue of Voices” is available on our homepage: www.lttds.org 

“‘Laia Estruch: Hello Everyone’ is the monograph published on the occasion of the homonymous exhibition—Laia Estruch’s first survey—currently on view at the Museo Reina Sofía in Madrid. → Continue reading (after August, this story will be archived here).

Cover Stories are published monthly on Latitudes’ homepage, showcasing past, present, or upcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial work and activities.

→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, June 2025: Hello Everyone Re-Mix, 2 Jun 2025
  • Cover Story, May 2025: Ria, Ría: sweet, brackish, or salty Satorre, 2 May 2025
  • Cover Story, April 2025: Wrecking the Floor Tiles, 1 April 2025
  • Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”, 3 Mar 2025
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025
  • Cover Story, December 2024: On the (Critical, Contextual) Rocks, 1 December 2024
  • Cover Story, November 2024: Max Andrews on Robert Smithson’s text “Aerial Art” (1969), 1 Nov 2024
  • Cover Story, October 2024: Nancy Holt “Ventilation System”, 1 Oct 2024
  • Cover Story, September 2024: THE CREST OF A WAVE, 2 Sept 2024
  • Cover Story, July-August 2024: Rosa Tharrats, Curtain Call, 1 July 2024
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Cover Story, June 2025: Hello Everyone Re-Mix

 June 2025 cover story on www.lttds.org. Photo: Jonás Bel.


NEW
NEW MONTH
NEW MONTHLY COVER
NEW MONTHLY COVER STORY

The June 2025 monthly Cover Story “Hello Everyone Re-Mix” is now on our homepage: www.lttds.org 

As part of the survey exhibition “Laia Estruch: Hello Everyone”, currently on view at Museo Reina Sofía, two new performance dates have been announced: June 4 at 18:30h and June 7, 2025, at 12:30h. In these presentations, Laia Estruch will debut fresh iterations of her ongoing work “Mix” (2021–present). → Continue reading (after June, this story will be archived here).

Cover Stories are published monthly on Latitudes’ homepage, featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.

→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, May 2025: Ria, Ría: sweet, brackish, or salty Satorre, 2 May 2025
  • Cover Story, April 2025: Wrecking the Floor Tiles, 1 April 2025
  • Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”, 3 Mar 2025
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025
  • Cover Story, December 2024: On the (Critical, Contextual) Rocks, 1 December 2024
  • Cover Story, November 2024: Max Andrews on Robert Smithson’s text “Aerial Art” (1969), 1 Nov 2024
  • Cover Story, October 2024: Nancy Holt “Ventilation System”, 1 Oct 2024
  • Cover Story, September 2024: THE CREST OF A WAVE, 2 Sept 2024
  • Cover Story, July-August 2024: Rosa Tharrats, Curtain Call, 1 July 2024
  • Cover Story, June 2024: TERENCE GOWER—DIPLOMACY, URBANISM, URANIUM, 3 June 2024
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Cover Story, March 2025: “Hello Everyone from the Museo Reina Sofía”

March 2025 cover story on www.lttds.org. Photo: Jonás Bel.


NEW
NEW MONTH
NEW MONTHLY COVER STORY

The March 2025 monthly Cover Story “Hello Everyone from the Museo Reina Sofía” is now up on our homepage: www.lttds.org (after March this story will be archived here).

“Curated by Latitudes, “Hello Everyone”—Laia Estruch’s largest exhibition to date—transforms the Museo Reina Sofía, in Madrid, into a resonant space for voice and sculptural presence. Across 27 works spanning more than a decade, Estruch shows how she has developed a performance language that is both physical and sonic, sculpting space with, and for, the force of vocalisation. → Continue reading 

Cover Stories are published monthly on Latitudes’ homepage, featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories 
  • Cover Story, February 2025: Bananas, Potatoes, Ria, Río: Jorge Satorre at CA2M, 3 Feb 2025
  • Cover Story, January 2025: Folded Forms, 1 January 2025
  • Cover Story, December 2024: On the (Critical, Contextual) Rocks, 1 December 2024
  • Cover Story, November 2024: Max Andrews on Robert Smithson’s text “Aerial Art” (1969), 1 Nov 2024
  • Cover Story, October 2024: Nancy Holt “Ventilation System”, 1 Oct 2024
  • Cover Story, September 2024: THE CREST OF A WAVE, 2 Sept 2024
  • Cover Story, July-August 2024: Rosa Tharrats, Curtain Call, 1 July 2024
  • Cover Story, June 2024: TERENCE GOWER—DIPLOMACY, URBANISM, URANIUM, 3 June 2024
  • Cover Story, May 2024: Richard Serra & Anne Garde—Threats of Paradise, 30 Apr 2024
  • Cover Story, April 2024: In Progress–Iratxe Jaio and Klaas van Gorkum, 2 April 2024
  • Cover Story, March 2024: Dibbets en Palencia, 4 March 2024
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SAVE THE DATE: 25 February 2025, opening of “Laia Estruch. HELLO EVERYONE” at the Museo Reina Sofía, Madrid

Laia Estruch performing “Crol (Moll)” (2019) at the Pisicines Municipals de Montjuïc, part of her solo exhibition “Laia Estruch: Crol”, Espai13, Fundació Joan Miró, Barcelona. Courtesy of the artist and Galería Ehrhardt Flórez, Madrid. Photo: Anna Fàbrega.  

SAVE THE DATE

“Laia Estruch. HELLO EVERYONE
26 February–1 September 2025
Museo Reina Sofía, Madrid

Opening: 25 February 2025, 8pm
Curated by Latitudes

Latitudes is thrilled to announce the opening of HELLO EVERYONE”, a solo exhibition dedicated to the work of Catalan artist Laia Estruch (Barcelona, 1981). 

Over the last fifteen years, Estruch has produced a consistently personal body of work that treats the human voice as a material reality—an expressive force and a medium expelled from the body. Her work has spanned ancestral poetry and post-punk music but has increasingly moved beyond the performance of spoken or sung words, and towards a sonic language that explores raw communicative effects, body consciousness and non-human agency. The articulation of noises and meanings often encompasses and exceeds human vocal language: breathing, exclamation, mumbling, ululation, cries and whispers. This process has evolved in tandem with creating often monumental sculptural settings for each of her vocal projects, resulting in steel slides, inflatable buoys or giant net traps, for example. These have become surrogate bodies in themselves, as well as temporary dramatic stages and interpretive scores for creating scenes and routines that the artist has termed vocal “rehearsals”.

HELLO EVERYONE” takes the form of a fragmentary and vociferous archive spanning live events, sculpture, audio installation, moving images, graphic works and visual scores. This ambitious exhibition acts as a living-and-breathing storage that reconfigures a body of work, as well as works-as-bodies and spans the breadth of Estruch’s artistic research to date while engaging with her history as a performer. Forming a fluid relationship between active and inactive modes of presentation, and questioning the conventions of displaying and performing artworks, “HELLO EVERYONE” explores the sense and sincerity of verbal expression and the agency of the female voice.

Laia Estruch performing “GANIVET” (2020) at the Fundació Joan Brossa, Barcelona. Courtesy of the artist and Galería Ehrhardt Flórez, Madrid. Photo: Daniel Cao.

A publication accompanying the exhibition will offer the first comprehensive monograph dedicated to the artist’s work. Designed by her longtime collaborator Ariadna Serrahima (Oficina del Disseny) and published by the Museo Reina Sofía, it will include a new text by artist Sharon Hayes (Estruch’s former professor at The Cooper Union) reflecting on performance pedagogy; the essay “Voice-Body-Sculpture” by Latitudes, the exhibition curators, which offers the first in-depth overview of Estruch’s practice; and a conversation between the artist and Marc Navarro, who curated Estruch’s 2019 exhibition at Espai 13, Fundació Miró. The monograph will be available in Spring 2025 in Spanish and English editions.

HELLO EVERYONE” will take place on the fourth floor of the museum’s Sabatini building, and run concurrently with exhibitions dedicated to Huguette Caland (19 February-25 August 2025) and Naufus Ramírez-Figueroa (28 May-20 October 2025), amongst others. It will also coincide with several events programmed in Madrid around the 44th edition of ARCOmadrid art fair (5–9 March 2025).

Laia Estruch performing “TRENA” (2023) at the Museu Nacional d'Art de Catalunya (MNAC), Barcelona. Courtesy of the artist and Galería Ehrhardt Flórez, Madrid. Photo: Anna Fàbrega. 

ABOUT LAIA ESTRUCH

Laia Estruch (Barcelona, 1981) has had solo exhibitions at the Museu Nacional d'Art de Catalunya, Barcelona (2023); Spiritvessel, Espinavessa (2022); Fundació Joan Brossa, Barcelona (2020); Capella de Sant Roc, Valls (2019); and at Espai 13, Fundació Joan Miró, Barcelona (2019). 

Recent group exhibitions include “After Paradise”, Kortrijk Triennial, Belgium (2024); “Topalekuak”, Tabakalera, Donostia (2024); Patio by ZONAMACO, ABC Art Baja, San José del Cabo, Mexico (2024); “I drank words submerged in dreams”, 23 Bienal de Arte Paiz, Guatemala (2023); After the Mediterranean”, Hauser & Wirth, Menorca (2023); “Panorama 21. Notes for an Eye Fire”, MACBA Museu d'Art Contemporani de Barcelona (2021) and “La cuestión es ir tirando”, Centro Cultural de España, Mexico City (2020).

Estruch has performed in numerous public events within the framework of exhibitions, biennials and festivals, including “Segar i cantar”, Lo Pati, Amposta (2024); “The Listening Affect”, Galeria da Biodiversidade, Porto (2023); “Passat / Present”, Centre d’Interpretació d’Art Rupestre de la Roca dels Moros del Cogul, Lleida (2022); 10th Deleste Festival, Bombas Gens, Valencia (2022); “The Journeying Stream”, TBA21, Sotos de la Albolafia, Córdoba (2022), Bianyal 2021, Vall de Bianya (2021) or “Plataforma. Festival de Artes Performativas”, Parque de Bonaval, Santiago de Compostela (2021), amongst other.

In 2022 Estruch won the 6th Premio Cervezas Alhambra de Arte Emergente (Alhambra Beer Award for Emerging Art) with the work “Zócalo”, and was awarded the 2021 Premi Ciutat de Barcelona (City of Barcelona Prize) in the category of Visual Arts. 

Works in public space include “Moat-2 / Playground Scene” (2017–18) at Fabra i Coats Fàbrica de Creació, Barcelona; and the recently completed Concomitentes public commission “Aguas Vivas”, at Llanos de Penagos, Cantabria (2024).

Estruch has a BA in Fine Arts from the Universitat de Barcelona (2010) and studied Performance Art and Sound Art at The Cooper Union, New York (2010). She regularly lectures at the Facultat de Belles Arts, Universitat de Barcelona. 

Her work is represented by Galería Ehrhardt Flórez, Madrid.


ABOUT THE CURATORS

In 2005, Max Andrews (1975 Bath) and Mariana Cánepa Luna (1977 Montevideo) founded Latitudes, a curatorial office based in Barcelona that works internationally across contemporary art practices.  

Latitudes has curated exhibitions including the inaugural Panorama triennial “Notes for an Eye Fire” (with Hiuwai Chu, 2021) and “José Antonio Hernández-Diez: I Will Fear no Evil” (2016) at MACBA Museu d’Art Contemporani de Barcelona; “Things Things Say” (2020) and “Joan Morey. COL·LAPSE” (2018) at Fabra i Coats: Centre d'Art Contemporani de Barcelona; “4,543 billion. The Matter of Matter” (2017) at CAPC Musée d'art contemporain de Bordeaux; “Compositions” for the first two Barcelona Gallery Weekend (2015 and 2016), among others. Latitudes was the Lead Faculty of the curatorial residency “Geologic Time” at Banff Centre for Arts and Creativity, Canada (2017) and was part of the jury and mentoring team of three seasons of Barcelona Producció at the Centre d'Art La Capella (2016-2020).

Between 2016 and 2022, Latitudes edited the online project “Incidents (of Travel)” produced by KADIST, narrating twenty encounters between an artist and a curator from around the world. Other editorial projects include the edition of the first monograph dedicated to the artist “Lara Almarcegui: Projects 1995-2010” (Archive Books, 2011), live-editing ten weekly tabloids throughout the exhibition “The Last Newspaper” (New Museum, New York, 2010), guest editing a 500-page ‘green’ issue “Ecology, Luxury and Degradation” (UOVO magazine, 2007); and the anthology "LAND, ART: A Cultural Ecology Handbook" (Royal Society of Arts/Arts Council England, 2006).

Max Andrews is Contributing Editor of Frieze magazine where he has written since 2004 and has collaborated with Artforum since 2024. Mariana Cánepa Luna was secretary of the board of Hangar Centre of Production and Artistic Research, Barcelona (2015–2019) and Advisor of the Acquisitions Committee for the National Collection of Contemporary Art, Government of Catalonia (2024). They are members of the Asociació Catalana de Crítica d'Art (ACCA/AICA) and Active Members of the Gallery Climate Coalition.

Latitudes has curated the exhibition “Jorge Satorre. Ria” currently on view at the Museo Centro de Arte Dos de Mayo, Móstoles (Madrid) until August 31, 2025.

https://www.lttds.org

→ RELATED CONTENT:



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Cover Story, January 2023: Claudia Pagès’ ‘Gerundi Circular’

January 2023 cover story on www.lttds.org

The January 2023 monthly Cover Story “Gerundi Circular” is now up on our homepage: www.lttds.org

Happy New Year! This month’s Cover Story focusses on Claudia Pagès’s Gerundi Circular (2021), a video installation that was commissioned for the exhibition Panorama 21: Apunts per a un incendi dels ulls (Notes for an Eye Fire), curated by Latitudes and Hiuwai Chu for the Museu d’Art Contemporani de Barcelona (MACBA). The work was recently incorporated into the MACBA Collection via a purchase by the Government of Catalonia for the National Collection of Contemporary Art. Continue reading 

After January 2023 this story will be archived here.

Cover Stories are published on a monthly basis on Latitudes’ homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, December 2022: “The Melt Goes On Forever. David Hammons and DART Festival, 1 December 2022
  • Cover Story, November 2022: Jorge Satorre’s Barcelona, nov 1 2022
  • Cover Story, October 2022: Stray Ornithologies—Laia Estruch, 3 Oct 2022
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story, July–August 2022:  Incidents (of Travel) from Seoul, 1 July 2022
  • Cover Story, June 2022: Cyber-Eco-Feminist Incidents in Attica, 1 June 2022
  • Cover Story, May 2022: Things Things Say in print, 2 May 2022
  • Cover Story, March 2022: The passion of Gabriel Ventura, 1 March 2022
  • Cover Story, February 2022: Rosa Tharrats’ Textile Alchemy, 1 Feb 2022
  • Cover Story, January 2022: “Rasmus’ Doubts”, 2 Jan 2022
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Programa público de “Apuntes para un incendio de los ojos”, MACBA, hasta el 27 febrero 2022

Vistas de la exposición. Fotos: Miquel Coll.


El programa público de la exposición “Apuntes para un incendio de los ojos” (
MACBA, 22 octubre 2021–27 febrero 2022) incluye visitas comentadas, recorridos performativos, visitas cantadas, ensayos abiertos y encuentros. 

Actividades gratuitas. Con inscripción previa. Plazas limitadas.

Cada domingo, 12 h: Visitas comentadas de la exposición a cargo de pli-é collective.

18 noviembre 2021, 18:30 h: Hablemos de... Apuntes para Apuntes con los curadores de la exposición.

20 noviembre 2021, 18:30 h: Ensayo abierto de Ocells perduts (2021) de Laia Estruch
, artista de la exposición.

2 diciembre 2021, 18:30 h: Hablemos de... Cabaret con Antoni Hervàs, artista de la exposición. El itinerario continuará fuera del museo y finalizará en el Teatre Arnau.

9 diciembre 2021, 18:30 h: Hablemos de... Anecdotes to be forgotten (2021). Un recorrido performativo a cargo de Arash Fayez
, artista de la exposición.

20 diciembre 2021, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

13 enero 2022, 18:30 h: Hablemos de... Passió i cartografia per a un incendi dels ulls
, una visita cantada a cargo de Gabriel Ventura y Pere Martínez.

29 enero 2022, 10 h: Sistematurgia de A quatre potes
. Encuentro en la sala del museo con nyamnyam y Pedro Pineda, Lídia Guitart, Curro Claret, Ingrid Guardiola, el equipo curatorial y grupo de participantes de los talleres.

29 enero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

26 febrero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

Ensayo de Ocells Perduts (2021) de Laia Estruch. Foto: Eva Font/Latitudes.

Ocupando la segunda planta del MACBAApuntes para un incendio de los ojos reúne obras obras encargadas para la ocasión y producciones recientes realizadas por 17 artistas afincados en Barcelona y alreadedores. La exposición presenta pintura, la escultura, obra en papel, la videoinstalación, la performance, la fotografía y el textil, y se podrá visitar hasta el 27 de febrero 2022.

Apuntes para un incendio de los ojos evoca una potente metáfora que nos lleva a cuestionar el predominio de lo visual y nos alienta a explorar una definición expandida del ver que implique al resto de nuestros sentidos mediante nuevos modos de navegar el mundo, de recordar y de producir conocimiento. La forma ocular adquiere vida propia en la imaginación de esta muestra evocando los panoramas del siglo xviii, y representa los lazos que el museo establece a su alrededor y viceversa, en una época en que quizá reconsideremos qué lugar deberíamos ocupar en el mundo.

Participantes: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) con Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura y Marc Vives.

Apuntes para un incendio de los ojos” está curada por Hiuwai Chu y Latitudes, y coordinada por Berta Cervantes.

Archivo redes sociales

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona

#PanoramaMACBA
#apuntsperaunincendidelsulls
#macbaBCN


→ CONTENIDOS RELACIONADOS:

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Estreno del vídeo “A knot which is not” [Un nus que no ho és] (2020–21) de Eulàlia Rovira

(📷 ↑↓) Eulàlia Rovira, “A knot which is not” [Un nudo que no lo es], 2020–21. Vídeo, 12:21min. Audio en catalán. Cortesía de la artista.

[CAT] 

Avui a les 18h (CET) s'estrena el nou vídeo d'Eulàlia Rovira “A knot which is not” [Un nus que no ho és] (2020-21), al canal Youtube de Fabra i Coats

El vídeo és fruit d’una recerca que l'artista va iniciar amb la inauguració de l’exposició “Coses que les coses diuen” (17 d’octubre de 2020 – 17 de gener de 2021), comissariada per Latitudes a Fabra i Coats: Contemporary Art Centre of Barcelona, i que es fa pública un cop s’ha clausurat i les sales del centre d'art són novament buides. El vídeo podrà veure's en qualsevol moment després de l'emissió en directe.

“Si bé la línia recta és còmplice de l’abaratiment i l’estandardització de molts productes, a on ens du la corba, o encara millor, el nus? Donant girs a les històries de la mateixa fàbrica tèxtil de la Fabra i Coats i als objectes que en sortien, la llengua que ens parla exercita paraules que les mans semblen haver deixat de reconèixer.” –  Eulàlia Rovira


[ES] 

Hoy a las 18h (CET) se estrena el nuevo vídeo de Eulàlia Rovira “A knot which is not” [Un nudo que no lo es] (2020-21), en el canal Youtube de Fabra i Coats.

El vídeo es fruto de una investigación que la artista inició con la inauguración de “Cosas que las cosas dicen” (17 de octubre de 2020–17 de enero de 2021), la exposición comisariada por Latitudes en Fabra i Coats: Centre d’Art Contemporani de Barcelona, y que se hace pública una vez ha finalizado y las salas expositivas están nuevamente vacías. El vídeo podrá verse en cualquier momento después de la emisión en directo. 

“Si bien la línea recta es cómplice del abaratamiento y la estandaritzación de muchos productos, ¿adónde nos lleva la curva, o aún mejor, el nudo? Dando giros a las historias de la propia fábrica textil de la Fabra i Coats y a los objetos que de ella salían, la lengua que nos habla ejercita palabras que las manos parecen haber dejado de reconocer.” – Eulàlia Rovira


[UK] 

Today at 6pm (CET) Eulàlia Rovira's new video “A Knot which is Not” [Un nudo que no lo es] (2020-21) is premiered on the YouTube channel of Fabra i Coats.

“A Knot which is Not” is the result of Rovira's research that began with the opening of “Things Things Say” (17 October 2020–17 January 2021), curated by Latitudes at Fabra i Coats: Contemporary Art Centre of Barcelona, and made public once the exhibition finished and the art centre galleries are empty once again. The video will be available for viewing at any time after the live broadcast. 

“Whilst the straight line is complicit in the price decrease and standardisation of many products, where does the curve, or better still, the knot, lead us? Putting a new spin on the stories of the Fabra i Coats textile factory and the objects found there, the language they speak to us uses words that our hands seem to have stopped recognising.” – Eulàlia Rovira

→ CONTENIDO RELACIONADO:
  • ‘Things Things Say’ en las redes sociales
  • Reseñas: Exposición ‘Cosas que las cosas dicen’ en Fabra i Coats: Centre d'Art Contemporani de Barcelona, 11 January 2021 
  • Trailer and photo documentation of the exhibition ‘Things Things Say’, 4 Nov 2020
  • 6 de noviembre, 17:45h: Proyección ‘Popcorn’ [Palomita] (90', 2012) de Adrià Julià en el Zumzeig Cinema, 29 Oct 2020
  • Exhibition ‘Things Things Say’, Fabra i Coats: Contemporary Art Center of Barcelona, 17 October 2020–17 January 2021, 9 Oct 2020

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Cover Story – August 2020: ‘Màquina possible’: going viral at Can Balaguer

Latitudes' homepage www.lttds.org

The July 2020 monthly Cover Story ‘Màquina Possible: going viral at Can Balaguer’ is now up on our homepage: www.lttds.org

“Joan Morey’s ‘COL·LAPSE. Màquina possible‘ (COLLAPSE. Possible machine) took place on 23 July in Palma de Mallorca. Conceived for two bodies, a single voice, and live organ accompaniment, the performance was an adaptation of the prologue and first act of ‘TOUR DE FORCE’ (2017). A small audience was confined in the rooms of the Can Balaguer, including its grand music room, with two of the original performers.”

Continue reading
→ After August 2020, this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial activities.


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  • Cover Story—May 2020: Panama, back through the lens 4 May 2020
  • Cover Story—March-April 2020: The Bolós Cabinet 3 March 2020
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  • Cover Story—November 2019: ‘Fighting fires in Valencia: the 30-year story of the IVAM’ 1 November 2019

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