Mon, Jul 6 2026
Max Andrews of Latitudes is joining the jury for the Fundación Botín Art Grants 2026–27. Together with curator Ángel Calvo Ulloa and artists Eli Cortiñas and Anna Moreno –both grantees of the Botín Foundation Art Grant in 2018– he will take part in the selection process for the six projects that will each receive €23,000 in support of their development.
RELATED CONTENT:
- Latitudes’ Activities (Writing, Lectures, Learning, Awards, Affiliations, Juries, Residencies, Visitor Programmes)
- Cover Story, December 2025: Mentorship and Movement, 30 Nov 2025
- 2025 Acquisition Committee of the Col·lecció Nacional d'Art Contemporani of the Government of Catalunya, 20 Apr 2026
- Mariana Cánepa Luna in the 2024 Acquisition Committee of the Col·lecció Nacional d'Art Contemporani of the Government of Catalunya, 19 Mar 2025
- Mentores de la primera residencia curatorial en línea otorgada a un curador peruano, 5 sept 2022
- Latitudes / Perfil / Actividades / Pedagogía
- Jurado y tutoría de Barcelona Producció 2019–2020: Proyectos ganadores, 3 June 2019
- Barcelona Producció – Anuncio de los proyectos ganadores temporada 2017–2018, 25 mayo 2017
- Jurado y equipo tutorial de BCN Producció 2016, La Capella, Barcelona, 2 febrero 2016
2026, Fundación Botin, grant, jury, Max Andrews, Santander
Mon, Jun 22 2026
Jannis Kounellis, “Sans titre“ (1985). Steel, copper, gunny bags and 3 gas bottles. 250 × 950 cm. Collection CAPC musée d’art contemporain, Bordeaux. Installed in the exhibition “4.543 billion. The Matter of Matter” at the CAPC Musée d'Art Contemporain de Bordeaux, curated by Latitudes in 2017. Photo: Latitudes/RK
4º Simposio de Museología “Miradas ecológicas en los espacios expositivos”
13 de julio de 2026, 9–17h
Sala de Graus, Facultat de Lletres
Universitat de Girona (UdG), GironaActividad gratuita
Latitudes ha sido invitada a impartir la conferencia de clausura del 4º Simposio de Museología, titulado “Miradas ecológicas en los espacios expositivos”.
El programa reúne a profesionales de museos, investigadores y profesionales del sector, incluyendo a Anna Alcubierre (comisaria del evento, alcubierrestudio y EINA), Manuel Cirauqui (EINA), Blanca de la Torre (IVAM, València), David Barro (Es Baluard, Palma) y Andrea Miguel (MACBA, Barcelona), entre otros, para debatir sobre sostenibilidad, la transición climática y los criterios ecológicos en el diseño de exposiciones y en las instituciones culturales.
Evento organizado por la Asociación de Profesionales de la Museología de Catalunya (AMC), el Institut Català de Recerca en Patrimoni Cultural (ICRPC-CERCA), la Càtedra UNESCO de Polítiques Culturals i Cooperació y el Campus de Patrimoni Natural i Cultural de la Universitat de Girona (UdG).
→ CONTENIDO RELACIONADO:
- Other Latitudes activities
- Text on Lara Almarcegui’s Graves (2021) in “Sketches of Transition. An Atlas on Growth and Decay” edited by Michele Bazzoli, 27 Oct 2023
- Text on Crystal Bennes for the Freelands Foundation Artists programme, 31 May 2023
- Latitudes’ essay “Un suelo para las historias del arte del futuro” [Soil for Future Art Histories] in TBA21’s catalogue “Futuros Abundantes”, 22 Jan 2023
- Video of Latitudes' lecture “Curating in the Web of Life” at Garage Museum of Contemporary Art, Moscow, 4 December 2019
- Conferencia ‘4.543 miles de millones y la naturaleza social abstracta’, Jornadas Eremuak, Azkuna Zentroa, Bilbao, 17–19 octubre 2019, 14 octubre 2019
- Helene Romakin interviews Latitudes for artfridge.de, 8 Oct 2019
- Conversación con Lara Almarcegui en el Institut Valencià d'Art Modern (IVAM), 11 de julio 2019, 19h
- Parallel Rooms, Art Basel Cities: Buenos Aires talks, hosted in collaboration with arteBA, Buenos Aires, 13 April 2019.
- Convenor, 'The Return of the Earth. Ecologising art history in the Anthropocene’, CAPC musée d’art contemporain de Bordeaux, 15 November 2017.
2026, conference, decarbonising the artworld, exhibition-making, Girona, latitudes, sustainaibility, university
Tue, Jun 9 2026Inauguración: 3 julio 2026, 19 h
Pérez y Requena exploran las dimensiones desatendidas de la ciudad —en particular, su Santa Cruz de Tenerife natal—, abordándola como un archivo fragmentario e inquieto atravesado por la memoria, el territorio, la ficción y la cultura visual.
La exposición—y la publicación asociada que se presentará en otoño, diseñada por los artistas en colaboración con Nicolás Barreto—surgen de imágenes, objetos y rumores vinculados a “Conquistador”, un proyecto de investigación de largo recorrido. La indagación se centra en la zona urbana liminal donde el centro histórico de Santa Cruz da paso al Mercado de Nuestra Señora de África y al puerto marítimo: un área históricamente asociada a la festividad y la marginalidad, que posteriormente fue reconfigurada por procesos de regeneración, entre los que se inscribe la construcción del propio TEA en el borde del barranco de Santos.
La inauguración irá precedida por una conversación entre los artistas y los curadores de la exposición, Néstor Delgado Morales (curador de exposiciones temporales, TEA) y Latitudes.
→ CONTENIDO RELACIONADO
- New release: Publication “Laia Estruch: Hello Everyone” edited by the Museo Reina Sofía, Madrid, 14 May 2025
- SAVE THE DATE: 25 February 2025, opening of “Laia Estruch. HELLO EVERYONE” at the Museo Reina Sofía, Madrid, Feb 5 2025
- Opening of the exhibition “Ria” by Jorge Satorre at the Museo CA2M, Móstoles, 27 Jan 2025
- Latitudes’ essay “Un suelo para las historias del arte del futuro” [Soil for Future Art Histories] in TBA21’s catalogue “Futuros Abundantes”, 22 Jan 2023
- Opening of the exhibition "Notes for an Eye Fire" at MACBA, 21 Oct 2021
- Exhibition ‘Things Things Say’, Fabra i Coats: Contemporary Art Centre of Barcelona, 17 October 2020–17 January 2021, 9 Oct 2020
- Participants of the 2019 EXPO CHICAGO/Red Bull Arts Global Curatorial Initiative, Chicago and Detroit, 18–23 September 2019, 9 September 2019
- Partner organisation in ‘Today Is Our Tomorrow’ — participation with Mercedes Azpilicueta, PUBLICS – club Kaiku, Helsinki, 12–14 September 2019, 2 September 2019
2026, catálogo, curated by Latitudes, exposición individual, Nicolás Barreto, Néstor Delgado, Pérez y Requena, TEA, Tenerife
Fri, May 22 2026
We're delighted to share that we, Max Andrews and Mariana Cánepa Luna, have renewed our Active Membership with the Gallery Climate Coalition (GCC) for 2025–26, marking our fourth consecutive year. Over this time, we’ve continued to integrate environmental sustainability practices into the way we work, following GCC’s guidelines while focusing on practical, achievable actions within our means as a small independent organisation.
Each of us submitted a yearly CO2e report. Together, our carbon emissions totalled 16.18 tCO2e in 2019 (our baseline year), with subsequent years at 3.66 tCO2e (2022), 1.91 tCO2e (2023), 1.63 tCO2e (2024), and 4.45 tCO2e (2025). Our carbon footprint reporting covers emissions from our activities: air and surface travel (long-distance and regional trains, coaches, taxis, cars, metro, buses, and ferries), accommodation (hotels and self-catered properties), energy consumption (electricity and gas), and, since 2024, digital usage (web hosting, cloud storage, email traffic, and video calls). We use the GCC Carbon Calculator to conduct annual audits and ensure consistent, accurate reporting.
Year summary of Max's CO2 Annual Report
Year summary of Mariana's CO2 Annual Report
In 2025, we drafted our first Environmental Responsibility Rider (info and template
here), a tool that enables us to communicate and align our collaborators on environmental goals before embarking on any project.
Active Membership is not a certification of sustainability nor a claim that we are doing
things perfectly. Yet, it entails transparency in assessing, reporting, and reducing climate impact, setting targets aligned with science, and seeking effective solutions. Active Membership badges are year-stamped, and members re-submit annually to retain the latest Active designation.
RELATED CONTENTS:
- Renewing our Active Membership 2024 with Gallery Climate Coalition (GCC), 8 May 2025
- Latitudes renew their Active Membership with Gallery Climate Coalition (GCC), 9 April 2024
- Cover Story, February 2024: Climate Conscious Travel to ARCOmadrid, 1 Feb 2024
- Latitudes’ Environmental Policy Statement – Extended version here.
- Montse Badia sobre GCC Spain en la revista Bonart #198, 25 Oct 2023
- Active Membership Press Release, 10 May 2023.
- Latitudes qualify as an Active Member of the Gallery Climate Coalition (GCC), 10 May 2023
- Cover Story, March 2023: Art, Climate, and New Coalitions, 1 Mar 2023
- Gallery Climate Coalition (GCC) en el Estado español, 25 January 2023
- 18 marzo 2021, 18:30 h: Mesa redonda “Transformación geológica y construcción artificial” con Lara Almarcegui y Juan Guardiola, 8 Mar 2021
- Lead Faculty, Geologic Time, Banff International Curatorial Institute, Visual + Digital Arts Department, Banff Centre for Arts and Creativity, Banff, Canada, 11 September–6 October 2017
- Group exhibition, “4.543 billion. The matter of matter”, CAPC musée d’art contemporain Bordeaux, France, 29 June 2017–7 January 2018
- Editors, “Lara Almarcegui. Projects 1995–2010”, Archive Books, 2011
- Solo exhibition, “Christina Hemauer & Roman Keller: United Alternative Energies”, Kunsthal Aarhus, Århus, Denmark, 22 January–3 April 2011
- Public realm commissions, Portscapes, Port of Rotterdam, the Netherlands, throughout 2009
- Custodians, Reduce Art Flights (RAF) website (2008–ongoing)
- Touring film programme, “A Stake in the Mud, A Hole in the Reel. Land Art’s Expanded Field 1968–2008”, Museo Tamayo, Mexico City, and other venues, April–October 2008
- Group exhibition “Greenwashing. Perils, Promises and Perplexities”, Fondazione Sandretto Re Rebaudengo, Torino, February–May 2008
- Convenors, “Art, Ecology and the Politics of Change”, 3-day symposium during the Sharjah Biennial 8, 5–7 April 2007
- Editors, “UOVO #14: Ecology, Luxury and Degradation”, 2007
- Editor, “LAND, ART: A Cultural Ecology Handbook” (2006)
- Curator, Tue Greenfort, Arts & Ecology public realm commission in London, 2005–2008.
2025, 2026, CO2 footprint, decarbonising the artworld, GCC, latitudes, Mariana Cánepa Luna, Max Andrews, report