Nos alegra compartir que hemos sido invitados por Hangar, el centro de producción e investigación artística en Barcelona, a participar en la primera edición de PEEP que se celebrará el 12 y 13 de marzo de 2026. El evento combinará presentaciones, conversaciones y sesiones de feedback, y ha sido planteado como “un espacio de encuentro, diálogo y experimentación entre lxs artistas residentes de Hangar, profesionales invitadxs del ámbito local, nacional e internacional y el público general” con el objetivo de “explorar y profundizar en los procesos creativos de lxs artistas, compartir metodologías y generar nuevas conexiones profesionales”. 

Las jornadas culminarán con una programación pública que incluirá charlas, proyecciones, visitas a los estudios y una performance colectiva.

Para esta edición 2026, Hangar reunirá a Devrim Bayar (senior curator, KANAL-Centre Pompidou), Barbara Horvath (curadora, PART International Art Residency), Caroline Dumalin (directora artística, Morpho, y curadora del Pabellón de Bélgica en la Bienal de Venecia 2026), Jesús Alcaide (Córdoba), Ane Rodríguez Armendariz (responsable de Arte por venir, programa de la Fundación Carasso), Ismaël Chappaz (galería House of Chappaz), Mariana Cánepa (Latitudes), Max Andrews (Latitudes), Bárbara Rodríguez Muñoz (directora de exposiciones y de la colección, Centro Botín), María Montero Sierra (Madrid/Londres), Olivier Collet (galería Prats Nogueras Blanchard) y Rosa Lleó (curadora independiente, Barcelona).

Asimismo, participan lxs artistas y proyectos residentes: Ali Arévalo, Oriol Arnedo Casas, Kate Bohunnis, Ari Cardozo, Mourae, Eduard Ruiz, Laura Sub1, Silvia Zayas, Huaqian Zhang, Victor Pérez-Pallarès Setó, Aura Roig, Sara Miravet Núñez, Grandeza Studio, Efe Ce Ele, Lara Campos, Lumbung Press, #Blendícete y Hamaca.

jueves, 12 de marzo de 2026

9:30–18:30 h Visitas de estudio

19:30 – 20:30 h | Hamaca, un archivo a contrapelo: proyecciones de Jaione Camborda, Raquel Friera y Cecilia Barriga

El archivo se sostiene sobre unos puntales que llamamos taxonomías; al mismo tiempo, por dentro lo recorre una malla invisible que, a contrapelo, es capaz de reconectar todo. Desde la inmensidad del fondo audiovisual de Hamaca, este programa hilvana tres piezas que abren mundos marcados por la austera relación entre cuerpos. La intensidad física y simbólica de un ritual ancestral en Rapa das Bestas (Jaione Camborda, 2017), filmado de cerca con la sensibilidad que favorece la película; la vulneración de derechos y el vacío legal de los CIE que denuncia 1.432.327 m² (Raquel Friera, 2012), cuestionando, al mismo tiempo, el papel de la artista mediadora; y, por último, el torrente de afectos que retrata Im Fluss (Cecilia Barriga, 2007), acompañando con una handycam a dos mujeres que piensan la pérdida mientras celebran una vida compartida.

viernes, 13 de marzo de 2026

10:30 – 13 h Visitas de estudio

17 – 19 h | Talleres Abiertos

Ali Arévalo / Oriol Arnedo Casas / Kate Bohunnis / Ari Cardozo/ Mourae / Eduard Ruiz / Laura Sub1 / Silvia Zayas / Huaqian Zhang / Víctor Pérez-Pallarès Setó / Aura Roig / Sara Miravet Núñez / Grandeza Studio / Efe Ce Ele / Lara Campos / Lumbung Press/ #Blendícete / Hamaca

19 – 20 h | How Do You Do?

Conversación con Caroline Dumalin, Devrim Bayar y Barbara Horvath

La charla “How Do You Do?” explora, a partir de su doble sentido —“¿cómo estás?” y “¿cómo lo haces?”— las prácticas y valores institucionales que no siempre son explícitos ni debatidos públicamente, así como las dinámicas que sostienen las programaciones, las relaciones entre contexto local y global y los procesos colectivos que definen las identidades institucionales.

20:30 – 22 h | Sentía voces dentro de mi cabeza, sí, nos susurraban

Performance con Ali Arévalo, Ari Cardozo, Aura Roig, Kate Bohunnis, Eduard Ruiz, emocee, Lara Campos, Laura Sub1, Mourae, Oriol Arnedo Casas, Victor Pérez-Pallarès Setó

Lxs artistas residentes de Hangar proponen una performance colectiva que activa un espacio de escucha e imaginación compartida. A través de reflexiones, relatos fragmentarios y derivas mentales, las voces individuales se entretejen hasta configurar un cuerpo colectivo que susurra, piensa y resuena dentro y fuera de la cabeza.

To mark Latitudes’ 20th anniversary this April 2025, we have refreshed the design of our Portfolio. The 10th edition is available in desktop, mobile, and print formats.

Looking back, our first anniversary in April 2006 was a whirlwind. We were deep in the editorial process of “LAND, ART: A Cultural Ecology Handbook” (published in December 2006), an anthology co-published by the Royal Society of Arts in the framework of their Arts & Ecology programme (2005–10) and Arts Council England. Amid that hectic process, we forgot to commemorate.

Five years later, in 2010, we marked the occasion with our 22nd newsletter – our first featuring a birthday candle. At the time, we were gearing up for a road trip from Barcelona to London to take part in another milestone: Tate Modern's 10th Anniversary. To mark the occasion, artist Maurizio Cattelan and curators Cecilia Alemani and Massimiliano Gioni organised the second edition of NO SOUL FOR SALE - A Festival of Independents, which occupied Tate's Turbine Hall for a long weekend in mid-May 2010. Our journey was itself an artwork—Martí Anson, in his role as artist-cum-chauffeur, drove us to London and back as part of his project “Mataró Chauffeur Service”, ensuring we arrived in style (or rather truly tired) for the celebration.

The 2020 redesign remains largely intact today, with a few updates, including the font.

We can't believe two decades have flown by since we decided to give it a go as freelancers. This April 2025 finds us recovering from two major exhibitions that opened this past February– two much-anticipated solo exhibitions in Madrid. The first is the survey of Mexican-born, Bilbao-based artist Jorge Satorre at the Museo Centro de Arte Dos de Mayo in Móstoles. The second is also a survey, featuring 10+ years of work by Barcelona-based artist Laia Estruch, at the Museo Nacional Centro de Arte Reina Sofía. Both exhibitions are accompanied by the artists’ first monographs, covering works created from 2011 to the present. Estruch’s monograph will be available later in Spring, while Satorre’s, co-published by Museo CA2M and Caniche Editorial, is already available for purchase online (€30, including shipping within Spain) here and from Museo CA2M front desk.

Pages of “Rio [River]” (2025) copublished by Museo CA2M and Caniche Editorial. Photos: Latitudes.

Mock-up of the Spanish edition of “Laia Estruch. Hello Everyone” published by the Museo Reina Sofía. Available from Spring 2025.

Speaking of books, we are pleased to announce that our publications are now more widely accessible. The Library and Documentation Centre of the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) has been added to the list of institutions where a complete (or nearly complete: monographs such as Lara Almarcegui’s have long been out of print) collection of Latitudes publications is available for public reference.

RELATED CONTENT:

• Latitudes’ 15th anniversary and rebuilt and redesigned website, 2 May 2020
• Reduce Art Flights website refreshed, 5 February 2020
• Latitudes' redesigned portfolio – projects since 2005 (20 February 2019)
• Lawrence Weiner tote bag and sugar sachets at the McManus Museum and Galleries in Dundee (26 November 2018)
• Lawrence Weiner's THE CREST OF A WAVE tote bag is in the Tate Archive and exhibited at The McManus Museum and Galleries, Dundee, 26 October 2018
• Newsletter #22 – April 2010, 8 April 2010
• Latitudes' 4th anniversary, 2 April 2009

(Above and below) Rasmus Nilausen, “The Theatre of Doubts” (2021). Installation view in “Especies de espacios. Una reflexión colectiva sobre qué pensar de este mundo” at Galería Pelaires in Palma, Mallorca. Photos: David Bonet. Courtesy of the artist.

Danish-born, Barcelona-based artist Rasmus Nilausen is presenting, until November 22, 2024, a version of his installation “The Theatre of Doubts” (2021) in the group show “Especies de espacios. Una reflexión colectiva sobre qué pensar de este mundo” at Galería Pelaires in Palma, Mallorca. 

(Above and below) Rasmus Nilausen, “The Theatre of Doubts” (2021). Installation view in “Especies de espacios. Una reflexión colectiva sobre qué pensar de este mundo” at Galería Pelaires in Palma, Mallorca. Photos: David Bonet. Courtesy of the artist.

(Above and below) Rasmus Nilausen, “The Theatre of Doubts” (2021). Installation view in “Panorama. Notes for an Eye Fire”, MACBA Museu d'Art Contemporani de Barcelona, October 2021–February 2022. Courtesy of the artist. Photos: Roberto Ruiz. 

Rasmus Nilausen’s installation of paintings is a homage to philosopher Giulio Camillo’s sublime and ridiculous attempt to explain the entire universe and allow all its relations and meanings to be beheld at once. Camillo built his “Theatre of Memory” in Venice in around 1530. Inverting the perspective of classical theatre, a single spectator could stand on a central “stage” to look out at an auditorium of seven rows of seven pictures. An occult matrix of divine, celestial, and terrestrial knowledge, this mystical rhetorical device enabled the entirety of existence and its workings to be called to mind and read off. Evidently flawed and over-ambitious, Nilausen’s liberal revival of the memory theatre format draws on 49 works from his own painterly and allegorical universe. Visitors are invited to wander among images that seem to be going for a walk, adopt multiple viewpoints, see unfamiliar connections, and summon new memories. The first row takes on the seven planetary deities of Camillo’s Renaissance design: Diana (the Moon), Mercury, Venus, the Sun (represented by a banquet), Mars, Jupiter, and Saturn.

Produced by MACBA Museu d'Art Contemporani de Barcelona with the support of the Danish Arts Foundation.

More about the work, here (pdf).

Nilausen is also exhibiting “Fixed Ideas,” a solo show at EtHall Gallery in L'Hospitalet de Llobregat, Barcelona, presenting new and recent works. The show will be on view until November 7, 2024. 

RELATED CONTENT:

• Cover Story, January 2022: “Rasmus’ Doubts”, 2 Jan 2022
• Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
• Opening of the exhibition "Notes for an Eye Fire" at MACBA, 21 Oct 2021
• Press Release: Co-curators of the exhibition “Panorama 21: Notes For An Eye Fire”, Museu d'Art Contemporani de Barcelona, 22 October 2021–27 February 2022, 9 Feb 2021.
• Max Andrews' text for Rasmus Nilausen's solo exhibition ‘Bluetooth’ at Copenhagen's Overgaden, 16 September 2019
• Max Andrews’s essay for ‘Rasmus Nilausen. Soups & Symptoms’, Galeria Estrany-de la Mota, Barcelona, July 2016
• Curators: ‘Compositions’, Barcelona Gallery Weekend, various locations, Barcelona, 1–4 October 2015. Photos of the intervention "Vera Icon" by Rasmus Nilausen and Pere Llobera at the former house of a priest, Gardens of La Central Bookstore. Part of "Composiciones" a series of artists’ commissions for the Barcelona Gallery Weekend, 1–4 October 2015. Curated by Latitudes.
• Visita de la Comisión de Programas de Hangar a los estudios de los artistas residentes, 24 Abril 2013, Barcelona, 29 April 2013

Max Andrews from Latitudes (a frieze Contributing Writer) and Angel Lambo (Associate Editor of frieze) shared six highlights of Manifesta 15 for frieze.com 

The 2024 edition of the roving biennial spans 12 cities in and around the Barcelona Metropolitan area, making it one of the most ambitious in scale and reach. However, while its extensive geographical footprint is impressive, questions remain about whether the quality of the exhibitions lives up to its ambitious scope. A hotly debated topic during the opening days was whether the venues’ varying sizes complemented or engulfed the works on display, as is the example of the Tres Xemeneies (Three Chimneys), the colossal former thermal power station by the Besòs river. With over 90 participants and a wide array of interventions, events, and talks, an additional challenge lies in ensuring a cohesive experience across all locations.

Read more

RELATED CONTENT:

• Other writing on Latitudes’ website.
• Reviews, opinions, profiles and interviews published in frieze magazine. 
• 20th and concluding dispatch of “Incidents (of Travel)” from Barcelona, Spain, 26 Oct 2022
• Compositions 2015, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 1–4 October 2015 
• Compositions 2016, five city-wide commissions conceived for the first Barcelona Gallery Weekend, various locations, Barcelona, 29 September–2 October 2016

The July–August 2024 monthly Cover Story “” is now up on our homepage: www.lttds.org (after August 2024 this story will be archived here).

“Summer is here and the Cover Story for July and August features Rosa Tharrats’ “AVOC IVIDRAM” (2024), a work that veiled the exterior of Bombon Projects during the opening of her exhibition “Refugia” earlier this year. This show is the focus of Max Andrews’s first contribution to Artforum magazine, appearing in the summer issue.” → Continue reading 

Cover Stories are published monthly on Latitudes’ homepage featuring past, present, or forthcoming projects, research, texts, artworks, exhibitions, films, objects, or field trips related to our curatorial projects and activities.

Max Andrews’s first contribution to Artforum reviews “Refugia”, the first solo exhibition of Rosa Tharrats at Bombon Projects in Barcelona, which opened on March 20, 2024. Andrews’ review coincides with the first issue under the new editorial eye of Tina Rivers Ryan, the magazine’s recently appointed editor-in-chief. 

“One could have imagined the exhibition inside as much a sanctum for a spiritual retreat for unwinding the mind/body dualism as an outré couture collection without humans, where inscrutable organic divinities dressed for auspiciousness.” 

Continue reading here.

→ RELATED CONTENT:

• Other writing on Latitudes’ website.
• Reviews, opinions, profiles and interviews published in frieze magazine.
• Panorama traces, a year on, 21 Oct 2022
• Panorama in Madrid and Córdoba, 14 June 2022
• Cover Story, February 2022: Rosa Tharrats’ Textile Alchemy, 1 Feb 2022 
• “Panorama 21: Apunts per a un incendi dels ulls”, MACBA, October 2021–February 2022