Sònia Hernández, Minister of Culture of the Government of Catalonia, today announced the Department of Culture’s 2025 acquisitions: 46 contemporary artworks by 40 artists that will enter the Government’s National Collection. The Collection spans contemporary art (from the 1970s onwards), photography, cultural artefacts, comics, illustration, postwar art, and works from the second avant-garde. The acquisitions follow an extensive review of more than 700 applications, assessed by a committee across eleven two-hour meetings.
The 2025 Committee was presided over by Íngrid Llopart, Deputy Director General of Cultural Promotion; Manel Guerrero, a specialist in contemporary art at the Directorate General for Cultural Promotion and Libraries and coordinator of the commission; Marta Gustà, Director of the Visual Arts Area at the Catalan Institute for Cultural Enterprises and coordinator of the commission; Ester Martínez, responsible for support programmes for artistic creation and visual arts; Sònia Blasco, Head of the Museums and Movable Heritage Protection Service; Claudia Segura, Head of Collections at MACBA; Àlex Mitrani, Contemporary Art Curator at the Museu Nacional d'Art de Catalunya (MNAC); Jesús Navarro, Director of Morera – Museum of Modern and Contemporary Art of Lleida and representative of the Network of Art Museums of Catalonia; Gisel Noè, Director of M|A|C Mataró; Manel Margalef, Director of Museu d'Art Modern Tarragona (MAMT) of the Diputació de Tarragona; Frederic Montornés, independent curator, nominated by the CoNCA National Council for Culture and the Arts; Álvaro Hernández, Technical Officer of the Management Service of the Directorate-General for Cultural Promotion and Libraries, acting as secretary. Closing the list, Mariana Cánepa Luna of Latitudes, as an expert in contemporary art, proposed by the Plataforma d’Arts Visuals de Catalunya (PAV).
→ RELATED CONTENT:
In 2024, several works acquired in recent years for the National Collection were presented in the three-part “MACBA Collection: Prelude. Poetic Intention” (2022–2025) at the Museu d'Art Contemporani de Barcelona. Such as Mireia Sallarès’ photographs that are part of her larger project “Las muertes chiquitas” (2006-16); Joan Morey’s multipart project “COS SOCIAL. Lliço d'Anatomia” (SOCIAL BODY. Anatomy Lesson) (2017); Regina Giménez’s large paintings “Geo-gràfics” (2021); Sinéad Spelman’s drawings “Venes” (2020); Pedro Torres’ video installation “House of the Sun” (2020); Daniel G. Andújar “Battle Cry” (2019-2020”; Eulàlia Valldosera’s “Construcció i deconstrucció (I-VIII) (El melic del món #1; El ventre de la Terra #29)” (1991-2001); Lara Fluxà’s glass installation “Delu” (2019)”; Lucía C. Pino’s sculptures “10 Amazon Quarterly vol 03. (content)” (2022); or Lúa Coderch’s “Estil Internacional (Mur d'Ònix)” (2013-14), to mention a few.
Looking ahead, one of the most significant recent acquisitions of 2024, Eugènia Balcells’ 12-channel video installation “From the Center” (1982), will be presented this summer in the Museu Nacional d'Art de Catalunya’s Sala Oval, where it has been placed on deposit. The installation premiered at the 1983 Donostiako Nazioarteko Bideo Aldia, II Festival de Vídeo de San Sebastián. It was subsequently exhibited at Barcelona’s renowned Sala Metrònom (1985), Anderson Gallery in Richmond, Virginia (1986), and New York’s El Museo del Barrio (1987).
“From the Center” is a technically complex and conceptually profound video installation described by Balcells as an “electronic Stonehenge”. Featuring twelve monolithic screens arranged in a walkable circle, it presents fragmented yet unified views of the world, filmed over two years from a fixed Manhattan rooftop. Accompanied by a twelve-channel soundscape by Peter Van Riper (1942-1998), the installation blends technology and spirituality, echoing Romantic ideals of universal connection and inviting comparisons to the mystical vision of Romanesque paintings in the MNAC’s collection.
→ RELATED CONTENT:
Cookies Advice: We use cookies. If you continue browsing, we consider that you accept their use. Aviso de Cookies: Utilizamos cookies. Si continua navegando, consideramos que acepta su uso.