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Longitudes atraviesa los proyectos y la investigación de Latitudes con noticias y reportajes.

Cover Story, January 2022: “Rasmus’ Doubts”

Installation view of Rasmus Nilausen's "Theatre of Doubts" (2021) in the exhibition “Apunts per a un incendi dels ulls”, MACBA Museu d'Art Contemporani de Barcelona (22 October 2021–27 February 2022). Photo: Roberto Ruiz.

The January 2022 monthly Cover Story “Rasmus’ Doubts” is now up on our homepage: www.lttds.org

Hermetic philosopher Giulio Camillo built his Theatre of Memory in Venice in around 1530. Inverting the perspective of ancient theatre, a single spectator could stand on a central “stage” to look out at a wooden auditorium of seven rows of seven pictures. 

 Continue reading

→ After January 2022 this story will be archived here.

Cover Stories are published on a monthly basis on Latitudes' homepage (www.lttds.org) featuring projects, research, writing, artworks, exhibitions, films, objects, and field trips related to past, ongoing or forthcoming endeavours.


→ RELATED CONTENTS
  • Archive of Monthly Cover Stories
  • Cover Story, December 2021: Between Meier and Meller: Toni and Pau at the Teatre Arnau, 1 Dec 2021
  • Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Episode #17 of “Incidents (of Travel)” from Riga, Latvia


A new episode of ‘Incidents (of Travel)’ from Riga, is now live!

In the 17th dispatch, curator Inga Lāce and artist Linda Boļšakova forage for environmental histories in Riga. The day that takes them from manicured park lawns to a thicket of sea buckthorn bushes near a “post-apocalyptic” sauna, and from a housing project allotment to the laboratories of the National Botanic Garden of Latvia. 

This is the latest dispatch of the series produced by KADIST and edited by Latitudes since 2016, exploring the chartered itinerary as a format of an artistic encounter between curators and artists. Incidents (of Travel) is presented in one continuous immersive read interwoven with images and short videos in a mobile-friendly format. 

Selection of screengrabs from the 17th dispatch of Incidents (of Travel) from Riga. 
📲 TAP, SCROLL and SWIPE incidents.kadist.org
📖 READ 👀 WATCH👂🏻LISTEN






Incidents (of Travel) was conceived in 2012 when Latitudes commissioned 5 day-long artist-led tours around Mexico City in the framework of their short residency at Casa del Lago. The project had sequels in 2013 in Hong Kong with live dispatches of videos, photographs and soundscapes published through social media, and continued in 2015 in San Francisco with daily posts as part of Kadist's Instagram take over initiative “Artist Not In The Studio Curator Not At The Office”.

In 2016 KADIST and Latitudes partnered in a new ‘distributed’ phase of Incidents (of Travel) extending the invitation to curators and artists working around the world and publishing their dispatches as part of KADIST's Online Projects

Since 2016, seventeen extended conversations between curators and artists have taken place in Riga (Latvia), Beirut (Lebanon), Amsterdam (the Netherlands), Singapore (Singapore), Cabo Rojo (Puerto Rico), Tbilisi (Georgia), Panama City (Panama), Rio de Janeiro (Brazil), Reykjavík (Iceland), Buenos Aires (Argentina), Hobart (Tasmania), Yerevan (Armenia), Terengganu (Malaysia), Lisbon (Portugal), Suzhou (China), Jinja (Uganda) and Chicago (US). 


The first dispatch launched in April 2016 with an itinerary by curator Yesomi Umolu and artist Harold Mendez from Chicago – a day photographed by Nabiha Khan


The second dispatch came from Jinja in Uganda, where curator Moses Serubiri invited photographer Mohsen Taha to explore Jinja's Indian architectural legacy and Idi Amin's notorious expulsion of Uganda's Asian minority in 1972.


The third episode took place while curator Yu Ji and poet Xiao Kaiyu hiked on Dong Shan (East Mountain), 130 km west of Shanghai, on a peninsula stretching into Tai Hu lake near the city of Suzhou, China.


The fourth dispatch came from Lisbon, where Galician curator Pedro de Llano visited key locations that marked the life and work of Luisa Cunha.


The fifth episode took place in April 2016, when curator Simon Soon and artist chi too visited the Malaysian North Eastern state of Terengganu, where chi spent some time in 2013, surrounded by “men and women who work(ed) multiple jobs as fishermen, housebuilders, boat builders, farmers, coconut pickers, food producers, and everything else that matters.”


The sixth episode narrates a walking itinerary conducted by curator Marianna Hovhannisyan with Vardan Kilichyan, Gohar Hosyan, and Anaida Verdyan in Yerevan, the capital of Armenia, documenting the transformed, disappeared, or permanently-closed art institutions in the city centre.


The seventh episode comes from Hobart, the capital of Tasmania. It is narrated by curator Camila Marambio, following an itinerary devised by artist Lucy Bleach. They spent the day "encircling the outer limits of human understanding by visiting the histories, both past, and present, of attempts to reach beyond our sensory capacities through governance, technology, and reverie", and ended the day cooking at Lucy's home-sharing their mutual love for quinces.


In the eighth 'Incidents (of Travel)' dispatch Móvil co-founder and curator Alejandra Aguado followed the itinerary devised by the artist Diego Bianchi around Buenos Aires, Argentina. 

Their exploration took them from the self-regulated community Velatropa to the buzzing commercial area of Once, identifying human and non-human flows and interactions. This became an entry point for discussing Bianchi's interests in how, as consumers, we define a particular zeitgeist and appropriate trends that enable us to affirm our identities.


In the ninth dispatch, Canadian curator Becky Forsythe and Icelandic artist Þorgerður Ólafsdóttir navigate Reykjavík's surroundings considering Þorgerður's “current interest in Icelandic Spar (a form of transparent calcite), its double refraction and light-polarizing properties. In a race with daylight, they travel between sites collecting moments and considering the ways in which geologic time surfaces in the context of human time.”

Desktop view of → http://incidents.kadist.org/rio

The tenth dispatch begins with an itinerary proposed by Barcelona-born, Rio de Janeiro-based artist Daniel Steegmann Mangrané and is followed by images and videos recording a day roaming Rio's natural and artistic landscapes with Bogotá-born, Mexico City-based curator Catalina Lozano, who narrates their day spent together. 


In the 11th episode, Swiss curator Sandino Scheidegger (Random Institute) visits Panama City in preparation for a solo exhibition by Donna Conlon and Jonathan Harker at Casa Santa Ana in 2021. Conlon and Harker collaboration since 2006 (while also pursuing their own individual art practices) has resulted in seventeen video works to date. The places Sandino, Donna and Jonathan visited together pointed to the origin of some of their video works, the ideas behind them, or simply served as stages in their pieces, turning into “an exercise in sneaking through fences to reach former recycling plants, imagining how things looked before the skyscrapers took over, and navigating the complex social fabric of Panama City — all while getting a taste of local food between every stop.” 


The 12th episode from Tbilisi, Georgia, set a different tone in the online series as it was programmed to take place in late May 2020, during the Covid-19 pandemic. The itinerary set by Tbilisi-based artist Nino Kvrivishvili to lead Melbourne-based Associate Professor Tara McDowell became a WhatsApp video tour/conversation around Nino's artistic practice and the Georgian silk industry — a production that began in Tbilisi in the 5th century and continued until the collapse of the Soviet Union in the 1990s. 

 

Desktop view of → Incidents (of Travel) from Cabo Rojo

In the 13th dispatch, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin their day together driving to the Cabo Rojo Salt Flats where Sofía researched her 2018 film ‘Assimilate & Destroy I’. They later end up in Poblado de Boquerón, the queer capital of Puerto Rico's south where a large public beach and a usually busy street still show traces of 2017’s devastating Hurricane Maria.


Desktop view of → Incidents (of Travel) from Singapore.

In the 14th dispatch, Singapore-based curator Kathleen Ditzig joins artists Fyerool Darma and Nurul Huda Rashid nearby ‘Safe Entry‘ (2020), a mural presented at the Singapore Art Museum (SAM) by the artist Heman Chong that repeats a single, enlarged QR code, “the new digital skin of the city”, as Nurul points out. From there, they head towards the boardwalk connecting Harbourfront with Sentosa Island, the pleasure island home to many tourist attractions. Fyerool and Nurul weave in stories of past pirates and deities against the backdrop of the glass-green waters that stage the “blue aesthetics against the imported sands [from Indonesia] of reclaimed lands.”

In the 15th dispatch curator Àngels Miralda (current participant of de Appel's Curatorial Programme 2020-21) and artist Salim Bayri (current resident at Rijksakademie van beeldende kunsten 2019–21) follow a tour created during the winter 2021 Covid-19 restrictions in the Netherlands. Their day together features public sport locations as social meeting spaces, as well as urban architecture, a visit to a supermarket chain, and a food takeaway. 


In the 16th dispatch, curator Marie-Nour Hechaime navigates Beirut with artist-filmmaker Panos Aprahamian a year after the August 2020 explosion, when hundreds of tons of ammonium nitrate stored for six years without safekeeping in the port of the Lebanese capital were set on fire and exploded. The blast killed more than 200 deaths, 6,500 wounded, 300,000 displaced and great destruction in the city [1]. “I say that I am living with ghosts—of people, places, memories, stories”, she reflects. “He answers that Beirut is disintegrating in front of our very eyes.”


→ RELATED CONTENT:

Episode #16 of ‘Incidents (of Travel)’ – Dispatch by Marie-Nour Hechaime and Panos Aprahamian from Beirut, 3 October 2021

Episode #15 of ‘Incidents (of Travel)’ – Dispatch by Àngels Miralda and Salim Bayri from Amsterdam, 13 May 2021

Episode #14 of ‘Incidents (of Travel)’ – Dispatch by Kathleen Ditzig and artists Fyerool Darma and Nurul Huda Rashid from Singapore, 21 December 2020

Episode #13 of ‘Incidents (of Travel)’ – Dispatch by Marina Reyes and Sofía Gallisá from Cabo Rojo, Puerto Rico, 27 Sep 2020

Episode #12 of ‘Incidents (of Travel)’ – Dispatch by Nino Kvrivishvili and Tara McDowell from Tbilisi, 25 Jun 2020 
https://www.lttds.org/longitudes/index.php?id=7159211982397983135/episode-12-of-incidents-of-travel

Episode #11 of ‘Incidents (of Travel)’ – Dispatch by Sandino Scheidegger and Donna Conlon & Jonathan Harker from Panama City, 9 April 2020
https://www.lttds.org/longitudes/index.php?id=4425215029591365006/11-episode-of-incidents-of-travel

Tenth episode of ‘Incidents (of Travel)’ – Dispatch by Catalina Lozano and Daniel Steegmann Mangrané from Rio de Janeiro, 
29 January 2020
https://www.lttds.org/longitudes/index.php?id=144735152408473327/tenth-episode-of-incidents-of-travel

The ninth episode of ‘Incidents (of Travel)’ – Dispatch by Becky Forsythe and Þorgerður Ólafsdóttir, 8 February 2019
https://www.lttds.org/longitudes/index.php?id=6371927610418460689

The eighth episode of ‘Incidents (of Travel)’ – Dispatch by Alejandra Aguado and Diego Bianchi, 6 September 2019
https://www.lttds.org/longitudes/index.php?id=8721104601538735691

Seventh episode of ‘Incidents (of Travel)’ – Dispatch by Camila Marambio and Lucy Bleach from Hobart, Tasmania, 28 June 2018
https://www.lttds.org/longitudes/index.php?id=1055853895543348027

The sixth episode of ‘Incidents (of Travel)’ – Dispatch by Marianna Hovhannisyan and students from the National Center of Aesthetics from Yerevan, Armenia, 1 March 2018
http://www.lttds.org/blog/blog.php?id=5887133486742947361

The fifth episode of 'Incidents (of Travel)' – Dispatch by Simon Soon and chi too from Terengganu, Malaysia, 26 April 2017 
http://www.lttds.org/blog/blog.php?id=4083951540089486920

The fourth episode of 'Incidents (of Travel)' – Dispatch by Pedro de Llano and Luisa Cunha from Lisbon, Portugal, 2 March 2017 
http://www.lttds.org/blog/blog.php?id=4185860148466062617

The third episode of 'Incidents (of Travel)' – Dispatch by Yu JI and Xiao Kaiyu reporting from Suzhou, China, 6 September 2016 
http://www.lttds.org/blog/blog.php?id=1437935620149738144

Second 'Incidents (of Travel)' dispatch by Moses Serubiri and Mohsen Taha reporting from Jinja, Uganda, 30 June 2016 
https://www.lttds.org/longitudes/index.php?id=2504250800654900933

Kadist and Latitudes present 'Incidents (Of Travel)' online, 31 May 2016
http://www.lttds.org/blog/blog.php?id=1076947282278624159


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Cover Story, December 2021: Between Meier and Meller: Toni and Pau at the Teatre Arnau

  

December 2021 cover story on www.lttds.org


The December 2021 monthly Cover Story “Between Meier and Meller: Toni and Pau at the Teatre Arnau” is now up on our homepage: www.lttds.org

Antoni Hervàs’ La Meiers / La Mellers (2021) is a two-part artwork created for the exhibition Apunts per a un incendi dels ulls (Notes for an Eye Fire) (at MACBA, Barcelona, until 27 February 2022) and inspired by Barcelona’s Teatre Arnau.

 Continue reading

→ After December 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, November 2021: Notes for an Eye Fire, 2 Nov 2021
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Premios de la 5a edición del Dart Festival de cine documental sobre arte contemporáneo 2021


La programación de la 5a edición del Festival de Cine Documental sobre Arte Contemporáneo 2021 (25 de noviembre al 3 de diciembre) se muestra por segunda vez en la plataforma online Filmin (accesible para todo el territorio español entre el 25 de noviembre al 12 de diciembre), manteniendo una sesión presencial el 25 de noviembre con el estreno europeo en los cinemes Girona en Barcelona del documental Sergio Larraín, el instante eternoel primer fotógrafo latinoamericano en unirse a la agencia Magnum.


(Arriba y abajo) Dart Festival 2019 en Cinemes Girona.


Proyección en la Sala Phenomena del estreno en España del remaster en 4K de “A Bigger Splash” (1973).


Dart Festival es el primer festival de cine documental dedicado al arte contemporáneo cuyo principal objetivo es entrelazar la cultura y el conocimiento con el gran público, y lo hace a través de documentales sobre fotografía, comisariado de arte, pintura, performance, arquitectura, movimientos artísticos y, en general, sobre arte contemporáneo, prestando especial atención a los artistas, sus procesos de creación y las historias que hay detrás de sus trabajos. 

Una edición más, Latitudes ha tenido el placer de formar parte del jurado del festival junto al crítico de cine Quim Casas y el periodista cultural Ianko López.

El jurado ha decidido que los documentales premiados dentro de la sección competitiva de la 5a edición del festival sean “Esther Ferrer: Hilos de tiempo” (2020, ES, 69') del director Josu Rekalde como mejor producción nacional y “Beijing Spring” (2021, EEUU/Suiza,100') dirigida por Andy Cohen y Gaylen Ross como mejor producción internacional.

Esther Ferrer: Hilos de tiempo” (2020, ES, 69') del director Josu Rekalde.


Esther Ferrer: Hilos de tiempo de Josu Rekalde (2020, España)

Es un retrato íntimo, sin ser apologético, que hace un completo ejercicio histórico para situar a una de las figuras más relevantes del panorama artístico nacional. Es una película que destaca por su voluntad coral, en búsqueda de un diálogo constante con el espectador. El uso de material de archivo y el intento de representar la performance como parte integrante del documental permiten apreciar el recorrido histórico de Esther Ferrer y cómo éste se integra en el contexto más amplio del arte performativo y feminista internacional.

Beijing Spring” de Andy Cohen y Gaylen Ross (2021, EE.UU)

La película arroja luz sobre un período poco conocido del arte chino de los años 70, contextualizando una acción artística realmente extraordinaria. Gracias a material inédito, vemos un documental dentro un documental que da forma a la importancia de narrar las luchas por la libertad de expresión desde el contexto del arte y los movimientos de vanguardia que surgieron a raíz (o detrás) de la Revolución Cultural. Aún siendo un trabajo sobre un momento histórico específico, lanza reflexiones sobre los derechos y el poder del arte que nos llevan a la contemporaneidad.

Fotograma de “Beijing Spring” (2021, EEUU/Suiza,100') dirigida por Andy Cohen y Gaylen Ross.


→ CONTENIDO RELACIONADO:
  • Nominator, XI Premio Lorenzo Bonaldi per l’Arte – EnterPrize, GAMeC - Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy, 2021
  • Premios de la 4a edición del Dart Festival de cine documental sobre arte contemporáneo 2020, 3 dic 2020
  • Premios de la 3a edición del Dart Festival de cine documental sobre arte contemporáneo 2019, 1 Dec 2019
  • Mariana Cánepa Luna vocal del jurado del Premi Ciutat de Barcelona 2017 en el ámbito de las Artes Visuales, 1 Febrero 2018
  • Jurado y equipo tutorial de Barcelona Producció 2017 – Anuncio de los proyectos ganadores, 25 Mayo 2017
  • Jurado y equipo tutorial de BCN Producció 2016, La Capella, Barcelona, 2 Febrero 2016
  • Latitudes-nominee artist Annette Kelm shortlisted for the Aimia | AGO Photography Prize 2015, 24 June 2015
    Resolución Convocatoria 2012 de Artes visuales y Tutorial de la Sala d'Art Jove, 7 Diciembre 2011
  • Fallo Jurado Premios Casablancas 2008, 20 Junio, 20h 16 junio 2008
  • Otros jurados – véase sección "About"
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Programa público de “Apuntes para un incendio de los ojos”, MACBA, hasta el 27 febrero 2022

Vistas de la exposición. Fotos: Miquel Coll.


El programa público de la exposición “Apuntes para un incendio de los ojos” (
MACBA, 22 octubre 2021–27 febrero 2022) incluye visitas comentadas, recorridos performativos, visitas cantadas, ensayos abiertos y encuentros. 

Actividades gratuitas. Con inscripción previa. Plazas limitadas.

Cada domingo, 12 h: Visitas comentadas de la exposición a cargo de pli-é collective.

18 noviembre 2021, 18:30 h: Hablemos de... Apuntes para Apuntes con los curadores de la exposición.

20 noviembre 2021, 18:30 h: Ensayo abierto de Ocells perduts (2021) de Laia Estruch
, artista de la exposición.

2 diciembre 2021, 18:30 h: Hablemos de... Cabaret con Antoni Hervàs, artista de la exposición. El itinerario continuará fuera del museo y finalizará en el Teatre Arnau.

9 diciembre 2021, 18:30 h: Hablemos de... Anecdotes to be forgotten (2021). Un recorrido performativo a cargo de Arash Fayez
, artista de la exposición.

20 diciembre 2021, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

13 enero 2022, 18:30 h: Hablemos de... Passió i cartografia per a un incendi dels ulls
, una visita cantada a cargo de Gabriel Ventura y Pere Martínez.

29 enero 2022, 10 h: Sistematurgia de A quatre potes
. Encuentro en la sala del museo con nyamnyam y Pedro Pineda, Lídia Guitart, Curro Claret, Ingrid Guardiola, el equipo curatorial y grupo de participantes de los talleres.

29 enero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

26 febrero 2022, 18:30 h: 
Ensayo abierto de Ocells perduts (2021) de Laia Estruch, artista de la exposición.

Ensayo de Ocells Perduts (2021) de Laia Estruch. Foto: Eva Font/Latitudes.

Ocupando la segunda planta del MACBAApuntes para un incendio de los ojos reúne obras obras encargadas para la ocasión y producciones recientes realizadas por 17 artistas afincados en Barcelona y alreadedores. La exposición presenta pintura, la escultura, obra en papel, la videoinstalación, la performance, la fotografía y el textil, y se podrá visitar hasta el 27 de febrero 2022.

Apuntes para un incendio de los ojos evoca una potente metáfora que nos lleva a cuestionar el predominio de lo visual y nos alienta a explorar una definición expandida del ver que implique al resto de nuestros sentidos mediante nuevos modos de navegar el mundo, de recordar y de producir conocimiento. La forma ocular adquiere vida propia en la imaginación de esta muestra evocando los panoramas del siglo xviii, y representa los lazos que el museo establece a su alrededor y viceversa, en una época en que quizá reconsideremos qué lugar deberíamos ocupar en el mundo.

Participantes: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) con Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura y Marc Vives.

Apuntes para un incendio de los ojos” está curada por Hiuwai Chu y Latitudes, y coordinada por Berta Cervantes.

Archivo redes sociales

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona

#PanoramaMACBA
#apuntsperaunincendidelsulls
#macbaBCN


→ CONTENIDOS RELACIONADOS:

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Cover Story, November 2021: Notes for an Eye Fire

 

November 2021 cover story on www.lttds.org


The November 2021 monthly Cover Story “Notes for an Eye Fire” is now up on our homepage: www.lttds.org

There are days when an event, by the logic of the unforeseen, makes a cut in history and a different world is born. The MACBA exhibition ‘Apunts per a un incendi dels ulls’ (Notes for an Eye Fire) welcomes us after the global reset with a new generation.

 Continue reading

→ After November 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, October 2021: Fear and Loathing in Lebanon, 1 Oct 2021
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Opening of the exhibition "Notes for an Eye Fire" at MACBA


The exhibition Notes for an Eye Fire opens on 21 October 2021 at the Museu d'Art Contemporani de Barcelona (MACBA) and will remain on view until 27 February 2022.

Notes for an Eye Fire is the first exhibition of a new series of triennial transdisciplinary projects entitled Panorama, focusing on artistic practices in and around Barcelona. As the “notes” of the title suggests, this group exhibition attempts to jot down, to lay out and to connect without seeking to be in any way definitive.

Notes for an Eye Fire brings together a group of specially commissioned works and recent productions being shown in Barcelona for the first time. It comprises a wide range of disciplines, including painting, sculpture, works on paper, video installation, performance, photography and textiles, and is driven by a desire to defend and verify the making of on-site exhibitions as experiences that envelop us as whole sensing bodies in space.

Participants: Ana Domínguez, El Palomar (Mariokissme & R. Marcos Mota), Laia Estruch, Arash Fayez, Antoni Hervàs, Rasmus Nilausen, nyamnyam (Ariadna Rodríguez & Iñaki Álvarez) with Pedro Pineda, Claudia Pagès, Aleix Plademunt, Marria Pratts, Stella Rahola Matutes, Eulàlia Rovira, Ruta de autor (Aymara Arreaza R. & Lorena Bou Linhares), Adrian Schindler, Rosa Tharrats, Gabriel Ventura, and Marc Vives.

Exhibition leaflet (pdf)
Exhibition website
Social media archive

Museu d'Art Contemporani de Barcelona (MACBA)
Plaça dels Àngels 1
08001 Barcelona

#PanoramaMACBA
#apuntsperaunincendidelsulls
#macbaBCN


RELATED CONTENT:

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Episode #16: Incidents (of Travel) from Beirut, Lebanon


A new episode of ‘Incidents (of Travel)’ from Beirut, is now live! 

This is the latest dispatch of the series produced by KADIST and edited by Latitudes since 2016, exploring the chartered itinerary as a format of an artistic encounter between curators and artists. 

In the 16th dispatch, curator Marie-Nour Hechaime navigates Beirut with artist-filmmaker Panos Aprahamian a year after the August 2020 explosion, when hundreds of tons of ammonium nitrate stored for six years without safekeeping in the port of the Lebanese capital were set on fire and exploded. The blast killed more than 200 deaths, 6,500 wounded, 300,000 displaced and great destruction in the city [1]. “I say that I am living with ghosts—of people, places, memories, stories”, she reflects. “He answers that Beirut is disintegrating in front of our very eyes.”

Incidents (of Travel) is presented in one continuous immersive read interwoven with images and short videos in a mobile-friendly format. 

[1] https://www.who.int/emergencies/funding/appeals/lebanon-explosion-2020 

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Incidents (of Travel) was conceived in 2012 when Latitudes commissioned 5 day-long artist-led tours around Mexico City in the framework of their short residency at Casa del Lago. The project had sequels in 2013 in Hong Kong with live dispatches published through social media, including soundscapes, and in 2015 in San Francisco with daily posts as part of Kadist's Instagram take over initiative “Artist Not In The Studio Curator Not At The Office”.

In 2016 KADIST and Latitudes partnered in a new ‘distributed’ phase of Incidents (of Travel) extending the invitation to curators and artists working around the world and publishing their dispatches as part of KADIST's Online Projects

Since 2016, sixteen extended conversations between curators and artists have taken place in Beirut (Lebanon), Amsterdam (the Netherlands), Singapore (Singapore), Cabo Rojo (Puerto Rico), Tbilisi (Georgia), Panama City (Panama), Rio de Janeiro (Brazil), Reykjavík (Iceland), Buenos Aires (Argentina), Hobart (Tasmania), Yerevan (Armenia), Terengganu (Malaysia), Lisbon (Portugal), Suzhou (China), Jinja (Uganda) and Chicago (US). 


The first dispatch launched in April 2016 with an itinerary by curator Yesomi Umolu and artist Harold Mendez from Chicago – a day photographed by Nabiha Khan


The second dispatch came from Jinja in Uganda, where curator Moses Serubiri invited photographer Mohsen Taha to explore Jinja's Indian architectural legacy and Idi Amin's notorious expulsion of Uganda's Asian minority in 1972.


The third episode took place while curator Yu Ji and poet Xiao Kaiyu hiked on Dong Shan (East Mountain), 130 km west of Shanghai, on a peninsula stretching into Tai Hu lake near the city of Suzhou, China.


The fourth dispatch came from Lisbon, where Galician curator Pedro de Llano visited key locations that marked the life and work of Luisa Cunha.


The fifth episode took place in April 2016, when curator Simon Soon and artist chi too visited the Malaysian North Eastern state of Terengganu, where chi spent some time in 2013, surrounded by “men and women who work(ed) multiple jobs as fishermen, housebuilders, boat builders, farmers, coconut pickers, food producers, and everything else that matters.”


The sixth episode narrates a walking itinerary conducted by curator Marianna Hovhannisyan with Vardan Kilichyan, Gohar Hosyan, and Anaida Verdyan in Yerevan, the capital of Armenia, documenting the transformed, disappeared, or permanently-closed art institutions in the city centre.


The seventh episode comes from Hobart, the capital of Tasmania. It is narrated by curator Camila Marambio, following an itinerary devised by artist Lucy Bleach. They spent the day "encircling the outer limits of human understanding by visiting the histories, both past, and present, of attempts to reach beyond our sensory capacities through governance, technology, and reverie", and ended the day cooking at Lucy's home-sharing their mutual love for quinces.


In the eighth 'Incidents (of Travel)' dispatch Móvil co-founder and curator Alejandra Aguado followed the itinerary devised by the artist Diego Bianchi around Buenos Aires, Argentina. 

Their exploration took them from the self-regulated community Velatropa to the buzzing commercial area of Once, identifying human and non-human flows and interactions. This became an entry point for discussing Bianchi's interests in how, as consumers, we define a particular zeitgeist and appropriate trends that enable us to affirm our identities.


In the ninth dispatch, Canadian curator Becky Forsythe and Icelandic artist Þorgerður Ólafsdóttir navigate Reykjavík's surroundings considering Þorgerður's “current interest in Icelandic Spar (a form of transparent calcite), its double refraction and light-polarizing properties. In a race with daylight, they travel between sites collecting moments and considering the ways in which geologic time surfaces in the context of human time.”

Desktop view of → http://incidents.kadist.org/rio

The tenth dispatch begins with an itinerary proposed by Barcelona-born, Rio de Janeiro-based artist Daniel Steegmann Mangrané and is followed by images and videos recording a day roaming Rio's natural and artistic landscapes with Bogotá-born, Mexico City-based curator Catalina Lozano, who narrates their day spent together. 


In the 11th episode, Swiss curator Sandino Scheidegger (Random Institute) visits Panama City in preparation for a solo exhibition by Donna Conlon and Jonathan Harker at Casa Santa Ana in 2021. Conlon and Harker collaboration since 2006 (while also pursuing their own individual art practices) has resulted in seventeen video works to date. The places Sandino, Donna and Jonathan visited together pointed to the origin of some of their video works, the ideas behind them, or simply served as stages in their pieces, turning into “an exercise in sneaking through fences to reach former recycling plants, imagining how things looked before the skyscrapers took over, and navigating the complex social fabric of Panama City — all while getting a taste of local food between every stop.” 


The 12th episode from Tbilisi, Georgia, set a different tone in the online series as it was programmed to take place in late May 2020, during the Covid-19 pandemic. The itinerary set by Tbilisi-based artist Nino Kvrivishvili to lead Melbourne-based Associate Professor Tara McDowell became a WhatsApp video tour/conversation around Nino's artistic practice and the Georgian silk industry — a production that began in Tbilisi in the 5th century and continued until the collapse of the Soviet Union in the 1990s. 

 

Desktop view of → Incidents (of Travel) from Cabo Rojo

In the 13th dispatch, and on week 23 of lockdown, Sofía Gallisá and Marina Reyes begin their day together driving to the Cabo Rojo Salt Flats where Sofía researched her 2018 film ‘Assimilate & Destroy I’. They later end up in Poblado de Boquerón, the queer capital of Puerto Rico's south where a large public beach and a usually busy street still show traces of 2017’s devastating Hurricane Maria.


Desktop view of → Incidents (of Travel) from Singapore.

In the 14th dispatch, Singapore-based curator Kathleen Ditzig joins artists Fyerool Darma and Nurul Huda Rashid nearby ‘Safe Entry‘ (2020), a mural presented at the Singapore Art Museum (SAM) by the artist Heman Chong that repeats a single, enlarged QR code, “the new digital skin of the city”, as Nurul points out. From there, they head towards the boardwalk connecting Harbourfront with Sentosa Island, the pleasure island home to many tourist attractions. Fyerool and Nurul weave in stories of past pirates and deities against the backdrop of the glass-green waters that stage the “blue aesthetics against the imported sands [from Indonesia] of reclaimed lands.”

Desktop view of → http://incidents.kadist.org

In the 15th dispatch curator Àngels Miralda (current participant of de Appel's Curatorial Programme 2020-21) and artist Salim Bayri (current resident at Rijksakademie van beeldende kunsten 2019–21) follow a tour created during the winter 2021 Covid-19 restrictions in the Netherlands. Their day together features public sport locations as social meeting spaces, as well as urban architecture, a visit to a supermarket chain, and a food takeaway. 


→ RELATED CONTENT:

Episode #15 of ‘Incidents (of Travel)’ – Dispatch by Àngels Miralda and Salim Bayri from Amsterdam, 13 May 2021

Episode #14 of ‘Incidents (of Travel)’ – Dispatch by Kathleen Ditzig and artists Fyerool Darma and Nurul Huda Rashid from Singapore, 21 December 2020

Episode #13 of ‘Incidents (of Travel)’ – Dispatch by Marina Reyes and Sofía Gallisá from Cabo Rojo, Puerto Rico, 27 Sep 2020

Episode #12 of ‘Incidents (of Travel)’ – Dispatch by Nino Kvrivishvili and Tara McDowell from Tbilisi, 25 Jun 2020 
https://www.lttds.org/longitudes/index.php?id=7159211982397983135/episode-12-of-incidents-of-travel

Episode #11 of ‘Incidents (of Travel)’ – Dispatch by Sandino Scheidegger and Donna Conlon & Jonathan Harker from Panama City, 9 April 2020
https://www.lttds.org/longitudes/index.php?id=4425215029591365006/11-episode-of-incidents-of-travel

Tenth episode of ‘Incidents (of Travel)’ – Dispatch by Catalina Lozano and Daniel Steegmann Mangrané from Rio de Janeiro, 
29 January 2020
https://www.lttds.org/longitudes/index.php?id=144735152408473327/tenth-episode-of-incidents-of-travel

The ninth episode of ‘Incidents (of Travel)’ – Dispatch by Becky Forsythe and Þorgerður Ólafsdóttir, 8 February 2019
https://www.lttds.org/longitudes/index.php?id=6371927610418460689

The eighth episode of ‘Incidents (of Travel)’ – Dispatch by Alejandra Aguado and Diego Bianchi, 6 September 2019
https://www.lttds.org/longitudes/index.php?id=8721104601538735691

Seventh episode of ‘Incidents (of Travel)’ – Dispatch by Camila Marambio and Lucy Bleach from Hobart, Tasmania, 28 June 2018
https://www.lttds.org/longitudes/index.php?id=1055853895543348027

The sixth episode of ‘Incidents (of Travel)’ – Dispatch by Marianna Hovhannisyan and students from the National Center of Aesthetics from Yerevan, Armenia, 1 March 2018
http://www.lttds.org/blog/blog.php?id=5887133486742947361

The fifth episode of 'Incidents (of Travel)' – Dispatch by Simon Soon and chi too from Terengganu, Malaysia, 26 April 2017 
http://www.lttds.org/blog/blog.php?id=4083951540089486920

The fourth episode of 'Incidents (of Travel)' – Dispatch by Pedro de Llano and Luisa Cunha from Lisbon, Portugal, 2 March 2017 
http://www.lttds.org/blog/blog.php?id=4185860148466062617

The third episode of 'Incidents (of Travel)' – Dispatch by Yu JI and Xiao Kaiyu reporting from Suzhou, China, 6 September 2016 
http://www.lttds.org/blog/blog.php?id=1437935620149738144

Second 'Incidents (of Travel)' dispatch by Moses Serubiri and Mohsen Taha reporting from Jinja, Uganda, 30 June 2016 
https://www.lttds.org/longitudes/index.php?id=2504250800654900933

Kadist and Latitudes present 'Incidents (Of Travel)' online, 31 May 2016
http://www.lttds.org/blog/blog.php?id=1076947282278624159


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Cover Story, October 2021: Fear and Loathing in Lebanon

 

October 2021 cover story on www.lttds.org

The October 2021 monthly Cover Story “Fear and Loathing in Lebanon” is now up on our homepage: www.lttds.org

“The Beirut River, at least in its current state, is a testament to infrastructural failure in Beirut”, writes artist and filmmaker Panos Aprahamian in his itinerary for the latest edition of Incidents (of Travel), from the Lebanese capital.”

 Continue reading

→ After October 2021 this story will be archived here.

Cover Stories' are published on a monthly basis on Latitudes' homepage featuring past, present or forthcoming projects, research, texts, artworks, exhibitions, films, objects or field trips related to our curatorial projects and activities.


→ RELATED CONTENTS

  • Archive of Monthly Cover Stories
  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Cover Story–July-August 2021: Panorama: a wide view from a fixed point, 2 July 2021
  • Cover Story–June 2021: ‘Fitness food: Salim Bayri’s Amsterdam’, 1 June 2021
  • Cover Story–May 2021: RAF goes viral, 2 May 2021
  • Cover Story—April 2021: Cover Story – April 2021: Lara Almarcegui at La Panera, 2 Apr 2021
  • Cover Story—March 2021: Eulàlia Rovira's ‘A Knot Which is Not’ (2020–21), 1 mar 2021 
  • Cover Story—February 2021: ‘Straits Time: narrative smuggling in Singapore’, 1 Feb 2021
  • Cover Story–January 2021: ‘Things Things Say’: VIP's Union’, 1 Jan 2021
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Conversación en línea con Jorge Satorre, 22 de septiembre a las 19h UTC

Jorge Satorre, “The Erratic. Measuring Compensation” (2009). Cortesía del artista.


El 22 de septiembre 2021 a las 19h (UTC -5) se transmitirá a través de Facebook Live del Museo Amparo una conversación que mantuvimos con el artista Jorge Satorre (Ciudad de México, 1979). La conversación quedará registrada en el canal Youtube del museo. 

Programada dentro del ciclo ‘‘Diálogos con artistas de la Colección de Arte Contemporáneo”, la conversación se enmarca dentro de la programación de la exposición “El tiempo en las cosas” curada por Tatiana Cuevas en las Salas de Arte Contemporáneo del Museo Amparo en Puebla, México.

La conversación giró entorno al proceso de producción de “The Erratic. Measuring Compensation” (2010), actualmente incluída en la exposición “El tiempo en las cosas”, realizada por Satorre y comisionada por Latitudes como uno de los diez proyectos producidos a lo largo del 2009 en el espacio público del Puerto de Rotterdam, en los Países Bajos.

Durante el verano de 2009, Satorre buscó y localizó una de las gigantescas rocas que los glaciares llevaron a los Países Bajos desde Escandinavia durante la última Edad de Hielo. A raíz de la fascinación del artista por los proyectos de compensación medioambiental que se llevaron a cabo durante el proyecto de ampliación portuaria Maasvlakte 2 (2008–13), Satorre con la ayuda de un equipo de científicos identificó el lugar de origen de un bloque errático y lo devolvió a su lugar de origen, un acto de restitución sintética y compensación escultórica transnacional. 

El gesto geológico inverso de Satorre además de reflejar la construcción monumental de Maasvlakte 2 como una escultura de la forma de la tierra que, como la acción del deshielo pero en un tiempo mucho más corto, está alterando para siempre la morfología de los Países Bajos. La acción también se refleja en el hecho de que gran parte de la defensa marítima existente y futura en la zona portuaria se hará con roca traída de Escandinavia. Satorre ofrece un relato del proceso de devolución a través de dibujos que incorporan detalles reales e imaginarios. Uno de estos detalles representa una protesta imaginada al comienzo del viaje de vuelta a casa de la roca y fue presentado a modo de prólogo del proyecto en una valla publicitaria en el Puerto de Rotterdam, el puerto más grande de Europa.

Portscapes fue un encargo de la Autoridad Portuaria de Rotterdam con el asesoramiento y apoyo de la desaparecida organización SKOR (Fundación Arte y Espacio Público, Ámsterdam), y fue curado por Latitudes. En este contexto se encargaron proyectos a Lara Almarcegui, Bik van der Pol, Jan Dibbets, Marjolijn Dijkman, Fucking Good Art, Ilana Halperin, Christina Hemauer & Roman Keller, Paulien Oltheten, Hans Schabus y a Jorge Satorre, quien realizó “The Erratic. Measuring Compensation” (2010).

Jorge Satorre, “The Erratic. Measuring Compensation” (2009). Cortesía del artista. Foto: B. Wind.



CONTENIDO RELACIONADO

  • Cover Story, September 2021: Erratic behaviour—Latitudes in conversation with Jorge Satorre, 31 August 2021
  • Portscapes project page
  • Portscapes photo documentation
  • Web of the artist about ‘The Erratic. Measuring Compensation
  • Review of the exhibition "What cannot be used is forgotten" in the May issue of frieze 29 April 2015
  • Publication "Robert Smithson: Art in Continual Movement" (Alauda Publications, 2012) includes essay by Max Andrews, 28 Mar 2012
  • Lecture by Max Andrews "From Spiral to Spime: Robert Smithson, the ecological and the curatorial", 13 March, 2pm, Lecture Theatre 1, Royal College of Art, London, 12 March 2012
  • Interview with Erick Beltrán & Jorge Satorre publ 'Atlántica' magazine #52, 13 Feb 2012
  • Proyecto producido por Jorge Satorre para 'Portscapes' (2009) expuesto en la exposición colectiva 'Fat Chance to Dream', Maisterravalbuena, Madrid, 29 Mar 2011
  • 2009 Video of the making of Jorge Satorre's project
  • Portscapes news: Jorge Satorre's billboard on the A15 and Paulien Oltheten small exhibition at the visitor centre Futureland and surroundings, 2 October 2009

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